Here’s the Bio I Wrote for Iota’s Tales Reissue

Posted in Whathaveyou on January 18th, 2019 by JJ Koczan

It was just a couple months ago that I was last heaping retrospective praise on Iota‘s Tales full-length, which was originally released by Small Stone Records in 2008. Needless to say, then, that when the label came around and asked if I had anything to say about a vinyl reissue in the works, I mashed my forehead into my keyboard until a bunch of nonsensical fanboyism could be deciphered by a trained team of baboons, syllable by syllable. Something like that. It may have been orangutans.

The important factor, more even than the fact that this is a “Thing I Wrote” post, which are always a little jolt to my fragile-manchild ego, is that said LP edition of Tales will be out on March 15. In my head, this will play out to massive fanfare and the discovery of a kickass band with untold potential being discovered by a new generation of fans, leading to a reunion, a vital new album and a tour on — why not? — a comfortable bus, maybe shared with Monster Magnet or someone like that. Sounds good? Sounds good to me.

Maybe that’s how it goes. Maybe if you tell two friends and they tell two friends and they tell two friends we’ll all invent the internet. I don’t know. But it’s been 11 years and Tales is still due more acknowledgement than it’s gotten.

Here’s the bio I wrote as circled back through the PR wire with the release info:

iota tales 2019

IOTA: Small Stone Recordings To Release Tales Full-Length From Cult Stoner Metal Collective On Limited-Edition Vinyl This March; Preorders Available

When IOTA’s Tales was first released more than a decade ago, it immediately heralded a change in the scope of heavy rock ‘n’ roll. From the hard punch of its opening duo “New Mantis” and “We Are The Yithians,” it departed into three extended cuts that drew together already-classic elements of weighted riffs with a doors-thrown-open sense of space and jammed into scorched-solo psychedelic oblivion. With Joey Toscano, who’d go on to form Dwellers, on guitar and vocals, the suitably wizardly Oz on bass, and recording engineer Andy Patterson, who soon enough would join SubRosa, IOTA raised a monolith of singular intent and showed throughout Tales a potential that was entirely their own.

The Salt Lake City trio had been around for over five years by then, having formed in 2002 and released two demos before the album as they earned local praise and found themselves supporting the likes of Brant Bjork, High On Fire, Black Cobra, Eternal Elysium, The Sword, and others. And that’s all well and good, but it would be Tales that defined them, whether it was “The Sleeping Heathen” started off at a sprint on its ten-minute run, “Opiate Blues” sure enough finding room for some harp alongside its dirt-covered riffs and foresight-laden heavy blues pulsations, or the massive sprawl of the twenty-two-minute “Dimensional Orbiter” that dream-jammed its way toward the outer reaches of cosmic sensation. Tantric, broad, and a gorgeous showcase of a dynamic ready to storm the earth, it helped earn Iota a cult following that persists over ten years later.

And along with anyone else who might be fortunate to stumble upon it, that cult, quite frankly, deserves to have Tales on vinyl. This is the first official LP release of the album, so call it a reissue or don’t. It doesn’t matter. Music this good exists out of time, and whether IOTA’s Tales is new to a listener or a well-kept secret regarded as a classic unto itself, it still sounds as far-reaching as it did when the band unfurled it the first time around. It wasn’t to be missed then. It’s not to be missed now [words by JJ Koczan].

Small Stone Recordings will release IOTA’s Tales full-length on vinyl for the first time ever on March 15th. Limited to 500 units in a clear with black swirl color combination, Tales was remastered for vinyl by Chris Goosman at Baseline Audio in Ann Arbor, Michican with the original running order of the album slightly altered to fit on the LP format.

For preorders and to stream Tales in its entirety go to THIS LOCATION.

Tales Track Listing:
Side A:
1. New Mantis
2. The Sleeping Heathen
3. Opiate Blues
Side B:
4. Dimensional Orbiter
5. We Are The Yithians

IOTA is:
Joey Toscano – guitars, vocals
Oz – bass
Andy Patterson – drums

http://www.smallstone.com
http://www.facebook.com/smallstonerecords
http://www.smallstone.bandcamp.com

Iota, Tales (2008/2019)

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Híbrido Stream I in Full; Out Monday on Spinda Records

Posted in audiObelisk, Reviews on January 18th, 2019 by JJ Koczan

hibrido

Jan. 21 marks the release date of (review here), the debut album from Spanish psych-prog four-piece Híbrido. It’ll be out through Spinda Records and is aptly-named both in terms of being the band’s first release and for their being a hybrid of influences and ideas. The lineage is complicated, but Algeciras, where the band is based, has played host to a heavy rock and psych scene for decades spearheaded in no small part by Híbrido‘s members. Guitarist Jose Angel “Oceano” Galindo and bassist Jose “Pot” Moreno played together in a group called Viaje a 800, who released their final studio album, Coñac Oxigenado (review here), in 2012. Moreno would go on to form Atavismo with drummer Sandri Pow, who had also played in the space-rocking Mind!. If you haven’t heard them, Atavismo‘s releases to-date — 2018’s Valdeinfierno EP (review here), 2017’s Inerte (review here) and 2014’s Desintegración (review here) — are increasingly progressive gems that presage some of the ground MorenoPow and Galindo cover as well in Híbrido, working alongside Los Bradlys guitarist Zoa Rubio.

It’s a complicated family tree — and I’m by no means claiming that’s the entire narrative of it — but even if you were to go back and listen to Viaje a 800Los BradlysAtavismo or Mind!, that wouldn’t really give you a full picture of what’s happening with Híbrido, in no small part because that doesn’t seem to be an entirely settled issue. That players so familiar with each other could manage to turn around a record that sounds so much like a debut is an accomplishment in and of itself, but indeed, one of the great strengths of I is the promise it shows for future development, hibrido iand that’s in the harmonies of the Floydian apex of the 13-minute “Le Pilules Vertes” as well as the quick turns and the fuzzy hook of “Nada, Nadie,” which follows the previously-premiered opener “Pensando en un Eco de Instinto Interior” that unfolds such a sense of progressive tonal warmth in the guitar and bass and the fluidity of the drums pushing them along their plotted course. As side B comprises just “Les Pilules Vertes” and the accompanying 10-minute closer “Ente,” there’s a bit of a dual-personality for the record, but that too adds to the sense of their aesthetic being (perhaps willfully) unsettled.

The closer, even more than the shifts in sound between centerpiece “Escarlata” at the end of side A and what follows in the second half of the album, is most indicative of all of the breadth Híbrido are harnessing, and while everything before it might be seen as at least in line with what the members have done before — that is, has its own identity, but shares aspects in common with past work of the players involved — “Ente” takes a stark turn, changing from the dreamy clean vocals to a harsh, black metal-style rasp in its second half. To complement this, the track has a particularly progressive feel in its guitar work, moving from a tense forward push to nuanced classic-prog winding that remind of some of the math Opeth once did in combining elements of extreme metal and ’70s-style progressive rock. It’s a shocking moment on an otherwise peaceful I, and a surprise that leaves one curious as to just where Híbrido might go from there in terms of their sound. That’s one of the best impressions a band can make on a debut, to establish a foundation of quality craft and remain unpredictable, and I wouldn’t dare guess what another release — perhaps called II — might do to build on what brings to bear. Really. It happens at about 7:40. The first time I heard it my brain didn’t believe what my ears were telling it.

Although isn’t officially out until Monday, of course Spinda has it available to order now, and I’m thrilled to be able to host the album streaming in full. Yeah, I did the premiere for the opener before, but I think this is a special case where going deep and really hearing the record front-to-back is entirely warranted. I hope you agree and I hope you enjoy.

Vinyl release info follows.

Dig it:

Heavy Psych & Alternative Rock from Algeciras (Spain). Including members of Viaje a 800, Mind!, Atavismo, Medicina & Los Bradlys.

****OUT ON 21st JANUARY 2019****

Híbrido’s debut album ‘I’ is released on:
-Vinyl 12″ 150grs Classic Black Edition (218 copies worldwide)
-Vinyl 12″ 150grs La Novena Clear Limited Edition (110 copies worldwide)
-CD Jewel Case (330 copies worldwide)

All music by Híbrido.

Recorded, mixed and mastered at Trafalgar Estudios by Curro “Snortil” Úreba (El Palmar, October 2017).
Artwork by Antonio Ramírez (Mentes de Ácido).
Edited by Spinda Records.

Track-list:
SIDE A
1. Pensando En Un Eco De Instinto Interior
2. Nada, Nadie
3. Escarlata
SIDE B
4. Les Pilules Vertes
5. Ente

Híbrido on Thee Facebooks

Spinda Records on Thee Facebooks

Spinda Records website

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Burning Gloom: My Home on Trees Announce Name Change & New Album

Posted in Whathaveyou on January 18th, 2019 by JJ Koczan

I’m not going to go as far as to say I’ve heard any of Burning Gloom‘s forthcoming long-player, Amygdala, or that I’m listening to a song from it right now that’s kicking my ass all over this room, but I will advise anyone still reading this sentence to keep an eye out for more on the offering as it gets closer to its to-be-announced release date. Big tones, big melodies, big hooks. It’s an interesting turn from the Milan-based outfit formerly known as My Home on Trees toward a kind of psychedelic but still thoroughly doomed atmosphere. Again, not that I’m listening to it or anything, because I’m not going to say that I am.

In all seriousness though, you can hear enough of a shift in vibe as to justify a name swap, and beyond just the fact that they’re doing something different, Burning Gloom sound vital even coming of My Home on Trees‘ 2015 album, How I Reached Home (review here). Hard to believe it’s coming up on four years since that one came out. Wow.

Time flies, doom plods. Here’s word from the band on the name change:

burning gloom

We used to be called MY HOME ON TREES from 2012 to 2018, but this new year that just started brought us a new life and a new identity: Burning Gloom. We realized that “My Home on Trees” didn’t fit us properly anymore. We feel closer to a different and heavier path, mentally and also musically. A new journey, made of fires in the night, a dark road enlightened by flames and sparks.

This is what our new full-length “Amygdala” represents. It took us 3 years to be ready to come back in studio, but we made it between february and june 2018 and our new record is now ready to be released later on this year, we have signed a contract and we’ll announce it very soon. Our new logo has been made by our friend STRX. A new life has begun, see you soon on the road and stay tuned for the next news.

https://www.facebook.com/burninggloom/
https://myhomeontreesband.bandcamp.com/

My Home on Trees, How I Reached Home (2015)

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Zed Premiere “Halo” Video from Desperation Blues Reissue

Posted in Bootleg Theater on January 17th, 2019 by JJ Koczan

zed

I can’t give away too much at this point, but this Spring, Zed are going to Europe. The San Jose-based heavy rockers this month will oversee a reissue of their 2013 Desperation Blues album, billed through Ripple Music as Desperation Blues Deluxe and including refreshed art and bonus tracks culled from the band’s 2010 debut, The Invitation. The four-piece have been building momentum over the last several years on tour and with the signing to Ripple for the release of Trouble in Eden (review here), their third LP, and after doing gigs on both coasts — they’ll make a return in 2019 to the Maryland Doom Fest as well — the initial incursion abroad seems nothing if not earned. One expects they’ll be well received.

It would seem on an initial reading that the lyrics of “Halo” are all the more relevant in today’s climate of political unrest, troubling surges of populism and crumbling international relations, but the truth is the US has been at war since before Zed put out The Invitation nine years ago, and lines like, “So confused, so afraid/What if the pigs come back today?/All I’ve worked for, all I’ve saved, so easily taken away,” aren’t so much finding new meaning as simply still applicable to the same degradation. The video premiering below works on similar ground, pitting footage of protesters engaging riot police alongside shots of the band playing live, the wobbly closed-circuit effect giving unity to the two as though to underline the notion of expression as an inherent act of defiance in a system of oppression. That is, if you want to piss someone off, make good art.

Though in that regard, throwing shit at cops works too.

Some would say that is art.

In any case, the spirit of the video suits the track’s workmanlike chug and subtle undertone of aggression, and the song remains catchy and well-composed without getting weighed down by its theme. Putting it in the context of what Zed would do on their two to-date subsequent outings, it’s a strong indicator of the band they would become — the band that will make themselves ambassadors of US heavy in a few months’ time — and shows how songwriting has been at their core all the while through their career, along with no small supply of swagger. That also continues to serve them well.

Safe travels to come, Zed. I’m looking forward to the tour announcement.

Desperation Blues Deluxe is out Jan. 18 on Ripple Music. Enjoy the video. It’s not the last one they’ll have for the reissue:

Zed, “Halo” official video premiere

Zed on “Halo”:

Wanted to make a video that honors the spirit of the song which is about how there is so much unrest and strife in the world and it doesn’t matter whether you are right or left leaning, there are movements and machinations at the highest levels of government that are being done to further oppress, devalue and control the common man. Yet the human spirit is unstoppable and will stand up even when the odds are stacked high against it.

Music Video for the song Halo off of “Desperation Blues Deluxe” the Ripple Music re-issue of ZED’s critically acclaimed self-released album.

Replete with new album artwork and bonus material (previously unheard first time around) Desperation Blues is an honest collection of blood, sweat, Desperation Blues will be officially re-released on 18th January 2019 through Ripple Music. Pre-order the album now at www.ripple-music.com.

Zed is:
Pete Sattari- Guitar/Vox
Sean Boyles – Drums
Greg Lopez – Guitar
Mark Aceves – Bass

Zed on Thee Facebooks

Zed on Bandcamp

Zed website

Ripple Music website

Ripple Music on Bandcamp

Ripple Music on Thee Facebooks

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Geezer Announce Spiral Fires EP out Feb. 8: Premiere “Spiral Fires Part 1”

Posted in audiObelisk, Whathaveyou on January 17th, 2019 by JJ Koczan

geezer

New Geezer? Don’t mind if I do, and whilst engaging in the groove-rolling outer-thereness of Spiral Fires, maybe take a second as well to process just how far the Kingston, New York, three-piece have come since issuing their first album, Electrically Recorded Handmade Heavy Blues, in 2013. With guitarist/vocalist Pat Harrington as the sole remaining founder of the band, the trio have moved from a heavy blues style to an anything goes, slide-infused grit-psych jam band with one foot in traditional songwriting and the other dropped into a region of cosmic trippery that Spiral Fires brings to emphasis even more than 2017’s Psychoriffadelia (review here). Working with labels like STB, Ripple, and indeed Kozmik Artifactz — who’ll have the new EP out on vinyl following its Feb. 8 digital release — the band has grown into a stylistically amorphous, richly expressive outfit who are unpredictable and reliable in kind. The kind of quality you can rely on.

To wit, I knew I wanted to premiere “Spiral Fires Part 1” before I heard it, and after hearing it, knew I was right in getting on board for it. Spiral Fires continues to expand Geezer‘s reach in its two-part title-track and in “Darkworld” and “Charley Reefer,” showcasing a shift in dynamic with drummer Steve Markota in the lineup with Harrington — who also produced — and bassist Richie Touseull. I had been expecting the band to turn out a long-player in 2019, and they may yet, but whenever that inevitable “next album” shows up, these songs give a righteous glimpse of where Geezer are at nearly a decade after getting together and where they might be headed from here. Uncharted space brought to earth with anchored, locked-in groove. You probably could ask for more, but you’d be a jerk if you did.

You can hear “Spiral Fires Part 1” at the bottom of this post in a lyric video provided by the band. Release info for the EP follows here, courtesy of the PR wire:

geezer spiral fires

GEEZER TO RELEASE NEW 4-SONG ‘SPIRAL FIRES’ EP ON FEBRUARY 8, 2019 – KOZMIK ARTIFACTZ TO RELEASE ACCOMPANYING VINYL FORMAT

After recruiting Steve Markota as Geezer’s new drummer in summer of 2017, the band knew it was now the peak time to refocus and start afresh. With gigs as their inspired motivation, over the following year or so the Kingston, New York heavy blues triad set about performing at multiple regional festivals in the U.S.. From the Doomed & Stoned Festival to the New England Stoner and Doom Festival, from The Maryland Doom Fest to the Descendants of Crom. Throw in a supporting slot for Acid King in Brooklyn and many other righteous shows, and a full year did bloom indeed.

All the while, a revitalized Geezer was writing and road-testing new songs. During that process, it became clear that one album was not enough to fully capture what was happening. An EP would be the foundation to set the stage for the upcoming full-length LP. Drawing inspiration from the vinyl version of the most recent Child EP, Geezer hooked up with Kozmik Artifactz to release their own EP in the same vein. Limited Edition, one color cover, black vinyl, no bells and whistles… just rock and roll.

The result is the mind-altering new EP, ‘Spiral Fires’. A three-song collection edifying the embodiment of Geezer’s quest for all things heavy, trippy, and groovy. Spiral Fires is the first passage in Geezer’s new journey.

Guitarist and vocalist Pat Harrington on the new EP:

“Hooking up with Steve changed the band. For the first time in a long while, we had the ability to really take our time and see where the music would take us. Changes were taking place, we were traveling to new musical landscapes. Along the way, a flash of light would appear over the horizon, these songs are those moments… lightning in a bottle.”

The EP was produced by Pat Harrington and recorded at Darkworld Studio in Kingston, NY, assisted by Engineers David Daw and Robert Kelly. Mixing was done by Matthew Cullen at The Cat Haus in Catskill, NY, with Mastering by Scott Craggs at Old Colony Mastering in Boston, MA. The Spiral Fires cover artwork is by Lee Fenyves, with design layout by Steve Markota.

Spiral Fires will be available on vinyl through Kozmik Artifactz in the very near future. Firstly, the band is releasing the EP for digital download and streaming through their Bandcamp page on February 8, 2019.

Kozmik Artifactz Webstore: http://shop.bilocationrecords.com/
Geezer Bandcamp: https://geezertown.bandcamp.com/

Spiral Fires – Track List:
Spiral Fires Part 1
Spiral Fires Part 2
Darkworld
Charley Reefer

UPCOMING LIVE SHOWS:
Jan. 25 – Kingston, NY @ BSP Kingston (w/ Sun Voyager, Shadow Witch)
https://www.facebook.com/events/295547331302289/
Feb. 23 – Baltimore, MD @ Oliver Brewing (w/ Backwoods Payback, Cavern, Dana Ortt)
https://www.facebook.com/events/275935323074808/
Mar. 20 – New York, NY @ Arlene’s Grocery – ODE TO DOOM (w/Thunderbird Divine, Ancient Stone, +)
https://www.facebook.com/events/253278718707961/
Apr. 20 – Kingston, NY @ The Anchor (w/ River Cult, Eternal Black)
https://www.facebook.com/events/2329157044035387/

Geezer is:
Pat Harrington – Guitar, Vocals
Richie Touseull – Bass
Steve Markota – Drums

https://igg.me/at/xxo6XcM2mD4/x/16460786
https://www.facebook.com/geezerNY/
http://geezertown.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Geezer, “Spiral Fires Part 1”

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Ian Blurton’s Future Now Premiere “Space is Forever”

Posted in audiObelisk on January 17th, 2019 by JJ Koczan

ian blurton

Ian Blurton’s Future Now played their first show this past New Year’s Eve at Bovine Sex Club in their native Toronto. The project is spearheaded by its eponymous figure, whose career in bands and production goes back decades to his work in Change of Heart, who released their debut album in 1986. Along the way, Blurton has helmed outings for Blood Ceremony, Electric Magma, Cursed, The Weakerthans and a wide swath of others in just as wide a swath of genres, and as one might imagine, his new project benefits from an array of influences. Joined by guitarist Aaron Goldstein, bassist Anna Ruddick and drummer Glenn Milchem, Blurton elicits a vibe in the band’s first single, “Space is Forever,” that brings to mind the sharp-hewn indie quirk of Pinback while tapping into a classic heavy strut with its rhythm and a timeless melody that speaks to hours spent in sunshine and gives its progressive edge an accessible complement.

It does not feel happenstance, which is to say there’s more to come. Blurton will release a solo album in May titled Signals Through the Flames, and the band seems to be so formative that I’m not even sure if “Space is Forever” has anyone else playing on it, but the clearheadedness of its aesthetic moves — the way it drifts smoothly into echoes as it fades — tell the tale of more to come either way. I’ll go one step further and note that New Year’s Eve was like two and a half weeks ago, and I don’t think the four-piece lineup of Ian Blurton’s Future Now were around all that long before that, so there could well be some changes as they continue to take shape. They might, for instance, decide just to call themselves Future Now, since although born out of the Ian Blurton solo-project, they’re a full band now one way or the other. Whatever they end up calling themselves by the time Signals Through the Flames lands, “Space is Forever” is a catchy, tightly-structured but still laid back-feeling cut that sounds fresh even as it taps into familiar genre elements. The power of songwriting laid bare.

Whatever the coming months and beyond (that’s not to say “the future”) might bring for them — as of Twitter two days ago, they were recording a B-side for a new 7″, so it may well be that this song will feature there — I’m happy today to host the premiere of “Space is Forever,” which you’ll find on the ol’ Bandcamp embed below, followed by a few words from Blurton about the track and a couple Ontario live dates.

I hope you enjoy:

Ian Blurton on “Space is Forever”:

The song is about staring into the endless infinity of space and trying to find light in its darkness. It’s about days becoming nights and nights becoming days and the sun and moon leading us through them. It’s about pondering the planetary phases of the solar system and coming to the realization that the future is now.

Ian Blurton’s Future Now upcoming live shows:
Sat Jan 19 Toronto at The Horseshoe Tavern – Biblical, Whoop-Szo, IBFN
Sat Feb 2 Hamilton at This Ain’t Hollywood – Not Of, IBFN, Mount Cyanide

Future Now (the band) has been put together to play shows in support of Ian’s upcoming solo record (Signals Through The Flames, due out in May) and two pre-LP tracks of which Space is Forever is one. They consist of Toronto heavy hitters Glenn Milchem on drums (Holy Fuck/Starvin’ Hungry), Anna Ruddick on bass (Randy Bachman) and Aaron Goldstein on flying V (Daniel Romano) backing Ian, a 35+ year veteran of the Toronto music scene as a musician and producer (Cursed, Tricky Woo, Blood Ceremony).

Ian Blurton on Twitter

Ian Blurton on Bandcamp

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Backwoods Payback Touring in March

Posted in Whathaveyou on January 17th, 2019 by JJ Koczan

backwoods payback

It will have been a couple months by the time Backwoods Payback hit the road again on their next DIY tour, this one headed west and south through a cut of the Midwest en route to SXSW in Austin, Texas, where they’ll play on March 14 before hitting Houston and leaving the Lone Star State behind with a couple more shows to wrap up. The Pennsylvania/Virginia (Pennsylginia?) three-piece will continue to support last year’s right-on-right-on Future Slum (review here), which put them ahead of the curve on any kind of grunge revival happening in the heavy underground while keeping to the punk root — and, clearly, work ethic — that’s been present in their sound all along.

To that end, don’t think the use of Raymond Pettibon art in their latest tour poster is a mistake or a coincidence, let alone the Black Flag-esque logo. They’re clearly aware of the kind of road-sloggery they’re doing, and while one doubts they’re eating dogfood — pretty sure convenience store burritos are cheaper anyway; plus they’re too friendly not to get fed — their commitment to “in the van” is admirable. Admirable enough you should get out and see them, anyhow. And maybe buy a t-shirt or an LP. You know, support and all that stuff that everyone hashtags nowadays.

Hashtag blessed, hashtag PR wire:

backwoods payback march tour

Backwoods Payback March Tour

Backwoods Payback
March 2019
SXSW TOUR

Heading back out and hitting the spots we have been missing.

Week never ends up right? Don’t let that dull your knife!

Backwoods Payback March 2019:
7- sprout music West Chester PA
8- now that’s class Cleveland OH
9- melody inn Indianapolis IN
10- livewire Chicago IL
11- the blue room Dubuque IA
12- bottleneck Lawrence KS
13- Witts end Dallas TX
14- spider house Austin TX
15- rudyards Houston TX
16- boom boom room Lafayette LA
17- growlers Memphis TN
18- highlands tap Louisville KY

Tour event page: https://www.facebook.com/events/386403138780580/

BACKWOODS PAYBACK:
Jessica Baker – Bass
Mike Cummings – Guitar/vocals
Erik Larson – Drums

https://www.facebook.com/backwoodspayback/
https://backwoodspayback.bandcamp.com/

Backwoods Payback, Future Slum (2018)

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The Obelisk Presents: 1000mods First-Ever Australian Tour

Posted in The Obelisk Presents on January 17th, 2019 by JJ Koczan

1000mods (Photo by Cristina Alossi)

Last year, I was fortunate enough to be asked to stand among the presenters for Greek heavy rock forerunners 1000mods‘ first US tour, and no joke, it was an absolute honor. Over the last decade-plus, the four-piece have become an essential piece of the European heavy underground, and their 2016 album, Repeated Exposure To… (review here), only worked to increase their profile, it was the best-case-scenario to watch that manifest in their conquering new territory and places they hadn’t been before. Had nothing to do with me, but on a watching-hard-work-pay-off level, it was a joy to see.

The trend continues in 2019 as 1000mods come closer to wrapping the cycle for Repeated Exposure To… by hitting Australia for the first time. They’ll head that way in April to appear at the Mojo Burning Festival on April 6 in Brisbane, and with dates slotted for before and after, they’ll cover a good amount of ground on the 10-day run. The Obelisk isn’t the only presenter, of course, but to even have a logo on the bottom of the poster for this one is humbling, and I thank Beats Cartel for the opportunity.

Listen to 1000mods. Go see 1000mods. It’s as simple as that.

I wanted to include the full tour announcement here for posterity, so you’ll find that below, but specifically note that tickets are on sale now. Links are provided with the dates.

Go go go:

1000MODS

GREECE’S 1000MODS ANNOUNCE FIRST EVER AUSTRALIAN TOUR

TIX ON SALE NOW

Greece’s 1000mods bring their psychedelic onslaught to Australia this April, touring nationally on the back of a Mojo Burning festival appearance.

Having risen from smokey basements to packed arenas, leaders of the now-legendary Greek heavy rock scene 1000mods offer inspired, powerful and uniquely fresh tunes having shared the stage with some of the world’s largest acts including The Black Keys, Mastodon, The Black Angels and Graveyard. The last few years have included a slew of sold out venues across Central Europe, Scandinavia, Britain, the US, Canada and Mexico on the back of their thick and heavy analogue sound and relentless touring schedule.

Described as having live ‘flawless flow’ (Soundgaze), the Greek Stoner lords have become known for remarkably passionate stage performances and soccer stadium-like crowd sing-a-longs amidst international festival appearances at Hellfest Open Air, Desertfest (Athens, Belgium, London and Berlin), Up in Smoke, Riff Ritual and many others including a recent sold out home show (3500 capacity) at renowned Athens venue Theatro Vrachon (PIC). This is a Rock band on the verge of international stardom who are widely considered to be the new-found power of the European (some say “worldwide”) heavy rock scene.

Album releases Super Van Vacation, Vultures (2014) and Repeated Exposure To… (2016) have netted the band one hundred thousand fans and kudos world wide, chalking up over 30 million track views on YouTube.

The 2019 Australian Tour, covering shows in Canberra, Sydney, Melbourne, Brisbane, Geelong, Adelaide, Perth and Scarborough, marks the first time the band have ventured onto Australian shores, a task not taken lightly by the band or promoter Christian Tryhorn of Beats Cartel who says of the upcoming tour “We’re long term fans of 1000mods and are excited to now be in the position of bringing them into the country for the first time. Their raw power and riffage is some of the best in the world, each album gets better with every listen! Can’t wait to show the people of Australia one of the best live acts in Europe”.

1000mods will also be a part of an upcoming feature length documentary entitled ‘Greek Rock Revolution’, a tale of the rising Rock scene in Greece amidst nation-wide economic turmoil. The documentary will be released in March and also features Tuber, Naxatras, Puta Volcano, Planet of Zeus and more.

Heavier than life, psychedelic, trippy, hauntingly melodic and dangerously addictive, catch 1000mods live in Australia for the first time ever, travelling East to West for Beats Cartel and HEAVY Mag. With tour help from Young Henrys, Maric Media, Orange Amplifiers, The Obelisk and Tuff Cuff Records.

1000MODS 2019 AUSTRALIAN TOUR

Wednesday April 03 CANBERRA The Basement  PURCHASE

Thursday April 04 SYDNEY Factory Floor  PURCHASE

Friday Apr 05 MELBOURNE Stay Gold  PURCHASE

Saturday April 06 BRISBANE Mojo Burning Festival  PURCHASE
Feat. Tumbleweed, The Vasco Era, Lachy Doley, King of the North and more

Sunday April 07 GEELONG The Barwon Club PURCHASE

Thursday April 11 ADELAIDE Crown and Anchor  PURCHASE

Friday April 12 PERTH Lucy’s Love Shack  PURCHASE

Saturday April 13 SCARBOROUGH Indi Bar  PURCHASE

*All show details and on-sale tickets at www.beatscartel.com/tickets

1000mods is:
Dani G. / Bass & Vox
Giannis S. / Guitars
George T. / Guitars
Labros G. / Drums

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https://1000mods.bandcamp.com/
https://soundcloud.com/1000mods

1000mods, Repeated Exposure To… (2016)

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